Frieze Editor’s Picks is a fortnightly column in which a frieze editor shares their recommendations for what to watch, read ...

This year’s Busan Biennale, inspired by David Graeber’s notion of ‘pirate enlightenment’, offers a glimpse into a world where progress can only be found outside the West It doesn’t take long to ...

Awarded to Bani Abidi (Experimenter), Mohammed Z. Rahman (Phillida Reid), Naminapu Maymuru-White (Sullivan+Strumpf), Eva Švankmajerová (The Gallery of Everything). In its ninth year, the Frieze Tate ...

This review is part of a series of Must-See shows, in which a writer delivers a snapshot of a current exhibition In the introduction to his unfinished project, Mnemosyne Atlas, Aby Warburg described ...

Exhibited in the palatial South Gallery of the newly reopened American Academy of Arts and Letters, Christine Kozlov’s Information: No Theory (1970) consists of a large, antiquated recorder and a ...

Sofia Hallström is an artist and writer based in London.

How many balloons does it take to cover up an atrocity? How much confetti can muffle a nation’s anxieties? Russell Perkins and Charlie Culbert’s succinct, melancholic Static (2023) – the centrepiece ...