RECENTLY, in speaking to a group in New York, I admonished my listeners to beware of progress, for progress, I said, usually means giving up something worth while for something less attractive. I ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

“I try to see one thing from five different viewpoints and keep moving, working around a central point,” Thomas Schütte has said. “But what it is I don’t know. As soon as you define it, it’s ended.” ...

The notion of artificial intelligence may seem distant and abstract, but AI is already pervasive in our daily lives. Anatomy of an AI System analyzes the vast networks that underpin the “birth, life, ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

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In April 2000, The Museum of Modern Art’s director, Glenn D. Lowry, joined other American museum directors to present testimony before the Presidential Advisory Commission on Holocaust Assets, ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

We use our own and third-party cookies to personalize your experience and the promotions you see. The Museum of Modern Art connects people from around the world to the art of our time. We aspire to be ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...